Notes
Slide Show
Outline
1
Postcolonial Writings of
George Orwell
and Derek Walcott
2
Postcolonial Literature
  • Literature by or about formerly colonized populations
  • Examines the complex legacy of imperialism
  • Gives a voice to indigenous people disenfranchised and marginalized by imperial power
3
Orwell Biographical Overview
  • Born Eric Blair in India (1903) but educated in England
  • 1922—returned to India to join Imperial Police of Burma
4
Biographical Overview
  • Imperialist experience made him recognize the abuses of British imperialism
  • 1927—returned to Europe determined to resist despotism
  • Worked to alleviate conditions of poor and resist fascism
    • Lived as street tramp
    • Fought in Spanish Civil War (1937)
    • Broadcast for the BBC in World War II
5
Biographical Overview
  • Satirized Stalin’s communist regime in Animal Farm
  • Warned against a totalitarian future (“Big Brother”) for Britain in 1984
  • Died of tuberculosis in 1950
6
Orwell Central Artistic Concepts
  • Brutally honest political satire against totalitarianism
  • Contempt for political ideologies and recognition of their potential for oppression
  • Recognized language’s power as a tool of oppression
7
“Shooting An Elephant” p. 2457
  • Critiques imperialism from the imperialist’s perspective
  • Reveals “the real motives for which despotic governments act” (p. 2458)
  • Colonizers as well as colonized people become victims of imperial policy (p. 2459-60)
  • Shooting the elephant becomes a metaphor for colonial violence


8
Walcott Biographical Overview
  • Born on Caribbean island St. Lucia, part of British West Indies (gained independence in 1979)
  • Product of Caribbean’s hybrid culture—French, British, Indian, African
  • Mixed ethnic background—descended from both white colonialists and African slaves
  • Won Nobel Prize for Literature (1992)


9
 
10
Walcott Central Artistic Concepts
  • Cultural schizophrenia and psychic fragmentation
  • Search for identity in a fragmented postcolonial/postmodern culture
  • Struggle to reconcile European and Caribbean cultures



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12
“A Far Cry from Africa” p. 2580
  • Imagery suggests horror at the violence of both imperialists and colonized people (stanzas 1 & 2)
  • Colonialism inspires a legacy of violence
  • Ambivalent response to his divided heritage as a colonial subject (lines 25-33)