Student Handbook

The Department of Music student handbook (PDF) includes policies and degree requirements. Its purpose is to ensure that students enrolled in the program have at their disposal the guidelines and requirements applicable to their respective degree programs.

The handbook is intended to take music students from admission at the University of Mississippi to a successful career as a professional musician or music educator. The University’s Undergraduate and Graduate Academic Catalogs are the ultimate source of official information concerning courses and degree plans. The Student Handbook is also a helpful tool for music students. Please review the material very carefully. While your advisor and the music faculty will assist you in completing the requirements for your degree, the ultimate responsibility for your educational progress is yours. 

Health and Safety for Musicians

Health and safety depend in large part on the personal decisions of informed individuals. Institutions have health and safety responsibilities, but fulfillment of these responsibilities cannot and will not ensure any specific individual’s health and safety. Every music student, faculty and staff member should become familiar with the documents on Maintenance of Hearing Health and Vocal and Musculoskeletal Health and Injury Prevention linked below, providing basic information regarding the maintenance of hearing health, vocal, and musculoskeletal health and injury prevention.

Maintenance of Hearing Health

Vocal and Musculoskeletal Health

Music Honorary and Professional Societies

Musical and scholastic achievement at the University of Mississippi is recognized and fostered by student chapters and affiliates of national honorary and professional organizations. The following societies are active on the University of Mississippi campus:

The Society of Pi Kappa Lambda, established in 1916 at Northwestern University, is dedicated to the furtherance of music in education and education in music in colleges, universities, and other institutions of higher learning that offer music degree programs. The local Eta Nu chapter annually recognizes and inducts as new members those juniors, seniors, and graduate students who have demonstrated superior achievement in their respective programs of instruction. Inductees are recognized at a department-wide convocation in April or May, at which the local chapter also sponsors an address by a distinguished scholar and teacher.

Phi Mu Alpha Sinfonia of America was founded in 1898 at the New England Conservatory of Music in Boston, Massachusetts. The fraternity now boasts nearly two hundred chapters across America, including the Lambda Xi chapter at Ole Miss, founded in 1962. Individual chapters work to bring music to their communities and to foster their own members’ musical and personal growth.

Phi Mu Alpha Sinfonia of America was founded in 1898 at the New England Conservatory of Music in Boston, Massachusetts. The fraternity now boasts nearly two hundred chapters across America, including the Lambda Xi chapter at Ole Miss, founded in 1962. Individual chapters work to bring music to their communities and to foster their own members’ musical and personal growth.

Kappa Kappa Psi is the national honorary band fraternity dedicated to the furthering of college and university bands through service and brotherhood. The Beta Beta Chapter at Ole Miss was the fiftieth chapter, founded in 1948 and reactivated in 1974.

Tau Beta Sigma is the national honorary band sorority whose membership is open to college students who have participated in a college band program. Founded in 1946, Tau Beta Sigma is a student service and leadership recognition society whose purpose is to assist music directors in developing leadership and enthusiasm within the band. It provides the band with organized service activities while giving its members experience in organization, leadership, and social contacts. The local chapter at the University of Mississippi is Beta Tau.

The National Association for Music Educators (formerly the Music Educators National Conference) is a voluntary, nonprofit organization representing all phases of music education in schools, colleges, universities, and teacher-education institutions. Active membership is open to all persons engaged in music teaching or other music educational work.

The American Choral Directors Association is a non-profit professional organization of choral directors with an active membership composed of directors from schools, colleges, universities, religious organizations, and professional choral groups. Associate members include students and other interested individuals, institutions, music publishers, and manufacturing firms.

Access to performance venues across campus and the community

Students perform recitals in David H. Nutt Auditorium within the Music Building. The Music Department’s faculty and students also have the pleasure of performing in wonderful venues across the university campus and Oxford community including the Gertrude C. Ford Center for the Performing Arts, a 1,300-seat theatre/concert hall, Paris–Yates Chapel, a 250 seat chapel housing the university’s 32-rank pipe organ, and North Oxford Baptist Church, providing a performance space large enough for choral concerts with plenty of seating and great acoustics.

 

Nutt Auditorium stage with grand piano

Steinway Grand Piano

The grand piano is tuned weekly and can be moved on or off stage in Nutt Auditorium based on musical performances. Students in applied lessons are assigned a collaborative pianist to accompany their rehearsals and performances.

Side view of performers on the Nutt Auditorium Stage

David H. Nutt Auditorium

The David H. Nutt Auditorium, is the primary venue for student and faculty recitals.

exterior of performance hall

Gertrude C. Ford Center for the Performing Arts

The Gertrude C. Ford Center for the Performing Arts is a six-story facility – three above ground and three below – with floor space of 88,000 square feet. The facility houses a main performance hall, studio theatre, administrative offices and well-appointed dressing room and performance support facilities.

Bird's eye view of performance hall interior with view of seats and stage.

Main Hall at the Gertrude C. Ford Center for the Performing Arts

The largest performance space at the Ford Center is the Main Hall which can accommodate up to 1155 patrons. The audience chamber is 55,000 cubic feet in volume and has outstanding acoustic qualities which can be adapted for various performance settings by means of a system of acoustic deflectors, curtains and a full stage acoustic shell which can be configured in three depths to accommodate full symphony orchestras, small and mid-size chamber ensembles and solo performers.

Brick exterior of chapel and tall bell tower with clock.

Paris Yates Chapel

The Chapel includes a 200-seat sanctuary, a bell tower, and a magnificent pipe organ.

Close up photo of keys on a pipe organ

Pipe Organ

The chapel organ has two manual and one pedal division. It consists of 26 stops comprising 32 ranks, 1642 pipes in all, giving it a volume and tonal variety that are quite generous for a building of Paris-Yates' size.

Chapel interior with white vaulted ceilings, wooden pews on either side of an aisle, and floor to ceiling pipe organ in the middle.

Paris-Yates Chapel Interior

Paris-Yates is a traditional chapel with 30 pews; roughly a seating capacity for 200.

Music 100: Recital Attendance

Attending recitals is an important way for students to learn about both music and performance.  The Department of Music requires its students to be not only strong performers but also thoughtful audience members.

All undergraduate music majors — whether pursuing a B.A., a B.M. in Music Performance or a B.M. in Music Education degree — must complete six semesters of MUS 100. Music minors take two semesters of MUS 100.  Transfer students will have a semester requirement determined when their transcripts are evaluated.

MUS 100 is pass-fail, and passing depends entirely on the number of department-approved recitals you attend in full.


Please read the MUS 100 syllabus carefully so that if you have any questions, you can speak to your advisor or to departmental recital supervisor, Zoe Bofill.

Reserving Nutt Auditorium

All entities outside the Department of Music should contact us about reserving Nutt Auditorium.